Try not to drool as you view Redditor Hallbuzz’s stunning personal collection of 32 cameras that span exactly 93 years of technology.
Try not to drool as you view Redditor Hallbuzz’s stunning personal collection of 32 cameras that span exactly 93 years of technology.
Humanoid robot Nimrod-OP plays soccer
(Source: designboom.com)
Designed in the shape of a potato chip, the relaxing Shallow Swing garden chair features a circular base that has been twisted to create two pairs of high and low points that face each other.
Designer: Gisbert Baarmann
Cool Leaf by Kazuo Kawasaki.
Cool Leaf is a minimal keyboard designed by Japan-based design Kazuo Kawasaki for Minebea. The keyboard is essentially a large screen with touch-sensitive input sensors. Characters appear on the mirrored panel for a sophisticated and futuristic aesthetic. The combined technology of input devices, lighting devices, and force sensors allowed the company to manufacture this cross-sectional device.
American firms work-ac and zhubo recently won an invited competition to redesign a 1 kilometer section of ‘hua qiang bei road’ in Shenzhen.
(via apairofblueeyes)
Chrome Ltd has designed bike shelf called FIXA. This multifunctional bike shelf is designed to provide clever bike and accessories storage with storage space inside and a flat surface on the top that you can use as a catch-all table for your keys, wallet, smartphone, etc.
[via: designmilk]
(via inspirezme)
Sue Austin - Creating the Spectacle (2012)
As part of the 2012 Cultural Olympiad, performance and installation artist Sue Austin created this series in which she—in her self-propelled underwater wheelchair—explored the magnificence of the underwater world, aiming to generate a widespread public debate about the nature and value of contemporary arts practice shaped by the experience of disability.
Artist’s statement:
“My studio practice has, for sometime, centred around finding ways to understand and represent my embodied experience as a wheelchair user, opening up profound issues about methods of self-representation and the power of self-narration in challenging the nexus of power and control that created the ‘disabled’ as other.”
(Source: likeafieldmouse)